Jarci, kažu, ujutro mrze sebe, a popodne cijeli svijet. Zmajevi, pak, rigaju vatru. I Jarčica i Zmajica, ponekad se, eto, naljutim. Krene logično, pravo jarčevski, a ubrzo odleti, poput zmaja, bez obzira na eventualnu gravitaciju argumenata koji letenje ni u teoriji ne dopuštaju. I zato sam ovdje: da mogu rantati preko svake mjere kad me pamet napusti, a vatra ispuni.
You have been warned.
rantalica na gmail.com
Heat brings me down. Everybody is always so happy when it becomes warm, I get irritated, irritable and pissed off. I used to think that it was because I was fat. Although it is not a usual reason for losing weight, I did and discovered to my great dismay that being thin did absolutely nothing for my ability to deal with heat. I still hated it and handled it poory and felt faint, irritated and in no mood to do anything but swim and sleep.
So, I am even more heartbroken than I would usually be because I have had to skip Archipelacon. I would have loved to have been able to go as I am sure this will be THE BEST con of 2015. But, the main reason I am sooo sorry is the fact that is definitely NOT hot in Finland!
I would urge you to go – they have fun programming and a list of GoHs that makes my head spin with joy – George R. R. Martin, Johanna Sinisalo, Karin Tidbeck, Gary K. Wolfe and Parris Mcbride. But they are sold out. I passed on my own membership but that might not be a case with my husbands. Interested?
This evening, at the Zrinjevac park I am going to have a piknik with my son. And husband. And some friends. And since its Animafest weekend, I am will be watching a cartoon. Fit for kids, fit for adults and great art to boot. Also, it will be in the open. Animafest might be 40 but still comes up with great ideas! Case in point: Animafest Open Air @Zrinjevac. Awesome!
The best part of a convention is often the discovery of other people enamoured with the same books, characters and worlds. But I came to the world of fandom late and made friends with those who had similar reading interests regardless of where I met them.
Petra Bulic, who ran SFera and the was Head of Volunteers in London last summer, was one of them. I cannot in all honesty say it was she who introduced me to Terry Pratchett. I had already been handed his books by someone, possibly so early that I have no memory of it. (Or my memory is just bad).
Anyway, I had already read him by the time I met petra in college and I have done so many things with Petra since – SFera, the SFERA Award, all those SFeraKons, trips to Worldcon, a Eurocon, trips to Croatian conventions – that somehow it’s been years since we spoke about books. I have no idea how that happened – I was not even aware of it until the SFera Book Club last Tuesday.
She brought three Pratchett books to the Club – Snuff, Monstrous Regiment and A Hat Full of Sky. The SFera Book Club in 2015 is organized to have a different individual run it every time and they get to name up to three books by an author of their own choosing they would like people to read. And whoever runs the Book Club gets to moderate.
Petra did not just do the three books, she brought pairs. So, the Book Club opened with a discussion of similarities between Snuff and Disgrace. The the inevitable comparison of the number of books sold as in audience reached (Snuff 55 000 in a day! while Disgrace won a Man Booker and never reached anywhere near that number in a day). I have not read Disgrace, but I have a need to now, if nothing else than to pen an essay on the lack of serious themes in genre literature and how it actually does not exist.
Unfortunately, there were those among us who had not read Monstrous regiment, so the discussion had to skirt around a bit in order not to reveal any spoilers. I was able to recommend a book of essays I had discovered, read and enjoyed so very much that I will insist this particular Book Club receive an extension once everyone gets up to speed with Monstrous regiment – and that would be Pratchett’s Women: The Books, the Bad and the Broomsticks by Tansy Rayner Roberts. I am eager to see what would develop in that conversation.
The A Hat Full of Sky discussion centered around Tiffany as one of the very well rounded characters while Marko Štengl, one of the biggest Croatian Terry Pratchett fans proclaimed it an awesome parenting manual. Totally did not see that coming and now I have to reread the book to see why.
Some of the crowd that SFera draws on Tuesday nights did not take part in the Book Club, they were busy discussing film. But as the evening drew to a close, we discovered that they also thought Pratchett was “just fun” and thus felt disinclined to have a discussion about him. This created another lively discussion which resulted in a new Book Club reading assignment. proposed by one of the younger members. I love it when that happens – that is why SFera is important all year round and not just as the society that organizes SFeraKon.
Post-con depression is best cured by attending – or indeed organizing – another event. Shamrokon taught me that! (Liburnicon taught me that maybe three con weekends in a row might not be the brigthest idea in the world even if the third on is at the beautiful Croatian seaside).
So that’s exactly what I did. I took part in the organizing of the first ever Zagreb Book Festival, starting today. On the organization end of things, I am handling the kids’ workshops happening daily until Sunday that range from Museum treasure hunts – today is International Museum Day and ZBF’s venue is the beautiful Museum of Arts and Crafts – to early reading, internet security and literary detective workshops.
I am doing these at the ZBF, but on behalf of RODA, Croatia’s most famous and most successful parenting NGO that has changed and improved the lives of many parents in the country. Alas, its very successful promotion of breastfeeding has led it to be associated with aggressive promotion of this very important but small part of parenthood in the eye of the public.
This is why it makes me so happy that taking part in ZBF has given RODA a lovely chance to show that it does not feel that parenthood begins and ends with breastfeeding alone. There are many facets of parenthood RODA is actively working on and ZBF is an awesome opportunity to showcase some of them.
On the attending another event end of things, I will be going to a number of adult programming of the festival that is this year dedicated to crime fiction and Sweden. There are some new Croatian books – Balkan noir and Zagreb noir – in the crime genre and there are very interesting foreign guests.
One of them is – to circle back to kids again – the Swedish children’s author and illustrator Sven Nordqvist whose Pettson and Findus picture books my son is literally crazy about.
Ulf Stark has been recently translated and is also one of the guests, as well as Jens Lapidus, Kristina Ohlsson, Anders Roslund i Stefan Thunberg, Sven Nordqvist, and Ece Temelkuran. And a huge number of Croatian authors, among whom is Darko Macan, Croatia’s foremost writer and editor of SF.
So, post con depression? No time for that – there are festivals to run. And attend.
The first day of SFeraKon, one would think, is when the organizing team is most crazy. Nope. But the day does start for them a lot earlier than it does for all the members who start coming in larger number around 18:00.
One of the SFeraKon tradition is to look for volunteers outside of fandom, among the newbies. This year we’ve had record interest in volunteering at SFeraKon which in practical terms meant that registration was ready and sorted hours ahead of time.
Programming started with the presenetation of TranSFerzala, a stamp collecting activity for fans going to Croatian conventions that offer free membership to all the numerous Croatian SF conventions in 2016. At the same time, the Croatian translation of Neil Gaiman’s Sandman was presented, the cosplay got going, as well as the vendor hall.
For the first time in Croatian fandom, we introduced ribbons. For now, most of the squee over them comes from all the people who’ve attended Worldcon but it is catching on. We made a special ribbon for the oldest members of Croatian fandom, the people who created SFera and SFeraKon. We call them the SFeroSaurs, so that’s what their ribbons say. Those who’ve been coming to SFeraKon get to wear s SFeraKon Veteran ribbon. As we are celebrating 150 years of Alice in wonderland, 50 year of Dune and have Sir Terry Pratchett and Leonard Nimoy as Ghosts of Honour we also made ribbons to celebrate them.
I got caught up with some old friends, gave Kate Elliott her grand tour of the convention and helped present the SFera programme – SFerin scenaristicki inkubator. It’s a scriptwriting workshop Irena Krcelic held in 2014 and 2015 in which two scripts have been developed that have won the support of the Croatian Audiovisual Centre.
SFeraKon 2015 has just begun. Here is a photo of this year’s organizing team! The photographer did not think it was the best of the bunch he made, but I think it’s great – the laptop in the centre just the right kind of appropriate!
The Hugos, voting systems and supporting memberships are a hot topic in SF fandom these days. I have a lot to say about it, but running a con while working full-time hours as a freelancer will severely limit one’s free time (translation: I have 3 different Hugo-related articles pending that might or might not ever see the light of day). But reading a post by K. Tempest Bradford with a title that is almost exactly the same as one of mine, I decided I had to post this one.
Croatia is a small country – New York City has more people than we do. There may be only four million of us but in that four million there are a lot of active SF fans and writers. We have seven annual cons, three annual anthologies, two magazines, three or more fanzines, more than a 100 genre authors and two genre awards… We are rich. We are also rich in strife, as small towns tend to be and a small town is what we are the equivalent of on a global scale, albeit one taking up some of Earth’s prime real estate.
I administer SFERA, the oldest Croatian national SF award and I have a Sad Puppy type of person, thinking they’ve written the next Tolkien or the Croatian Asimov every other year spouting shit all over me personally and the award I administer for not recognizing their genius. Online, as well as live, gossiping relentlessly behind my back. Such is the nature of awards.
Some years it’s not even a Sad Puppy kind of person, it’s my friends, colleagues and past winners of the award creating a ruckus. Small towns, as you might have read in a Stephen King novel, have their own ways of dealing with such things. Sometimes it’s gruesome and unfair and Carrie-like (see Balkan wars), and other times it’s more of an Oscar Wilde or Saki kind of thing.
So let me tell you a story.
Once upon a time, the SFERA Award jury gave the best novel award to a famous Croatian photographer. It was the photographer’s first book ever. It was also the best novel among the nominated works, which also happened to include not only names known and well liked in Croatian genre literature and fandom but also names quite well-known in Croatian mainstream literature.
As I said, the photographer won. The SFERA Award winner in each category is decided by consensus, not voting. Either the entire jury agrees something deserves a SFERA 0r it’s better luck next time for everybody in the category.
A big chunk of Croatian fandom was outraged when the photographer won. His photos may be great, but his novel was certainly not! I chaired the jury and my personal bent toward PR was blamed for this particular win. The jury, with me presiding over it, was accused of putting promotion potential before quality. Worded a bit less politely, of course.
The outrage was such that immediately, in that very year, a new genre award was established. Its independent and secret jury read all the same books the SFERA Award jury did, the jury members worked under an entirely different – better and improved and much more quality oriented – system of rules, awarding the best works in three categories. One of the categories was best novel. The photographer won. Because he had written the best novel in that year.
I could be ironic in a number of ways now. Or point out in how many nuances that situation is different from the shitstorm the Hugos are going through right now. (And it is, in many ways). Thing is, it did look like a pretty big shitstorm to us as it was happening. And now?
Now I get to go to Pyrkon and Swancon and Loncon and any Worldcon and say:
Croatia is a small country – New York City has more people than we do. There may be only four million of us but in that four million there are a lot of active SF fans and writers. We have seven annual cons, three annual anthologies, two magazines, three or more fanzines, more than a 100 genre authors… And TWO genre awards. We are rich.
Filmski program na SFeraKonu svake je godine bogat i neobican, a vec i svi vrapci na grani znaju koliko smo slabi na domaca SF izdanja sedme umjetnosti.
U petak cemo predstaviti novi SFerin s filmom povezani projekt – SFerin scenaristicki inkubator. SFera je 2013. godine prijavila, a HAVC u 2014. podržao, scenaristicku radionicu koju je vodila iskusna scenaristica Irena Krcelic koja iza sebe ima niz ostvarenih projekata i to, što je SFeri najbitnije, upravo u žanru. (Tko nije cuo za Laboratorij na kraju svemira, sram ga bilo!) Irenino cete ime, inace, pronaci i u jednoj od ranih SFeraKonskih zbirki.
Radionica je bila izuzetno uspješna – dva su projekta s radionice dobila potporu HAVC-a za razvoj scenarija, a jedna je serija osvojila srca svih polaznika. O cemu se tocno radi, saznajte na panelu u petak navecer.
Za one koji bi se pak rado i sami okušali u pisanju scenarija odmah i sad, u nedjelju popodne prekaljeni scenarist i poznati domaci fantasy autor Vanja Spirin vodi kratku scenaristicku radionicu.
Uvijek je super vidjeti kako žanr biva prvi u necemu, pa nas je tako oduševila i prva hrvatska web serija koja je, naravno, žanrovska. Rijec je o fantasy avanturi Land of Arcadia koju ce autori predstaviti na SFeraKonu u subotu u 18:30. Prvu epizodu pogledajte ovdje, kako biste znali kojim pitanjima rešetati autore!
SFERA, established in 1981, is the oldest genre award in the region and the most prestigious one in Croatia. It was founded by the Zagreb based science fiction society SFera, after which it was named. It’s just spelled differently. The idea was to try and popularize science fiction as a genre and to stimulate its production in Croatian.
It worked: since the beginning of the eighties, the SFERA Award grew in categories and in the number of people whose work was eligible. The juries and the chairs of the award have changed numerous times. There have been glorious moments, some fights, a couple of scandals and one outrage that will remain forever noted in the history of Croatian fandom because it created a second genre award – Artefakt. (Take heart, Anglophone fandom, shitstorms can make a fandom richer but that’s a whole different post!).
The American SF and fantasy writer Kate Elliott will be flying in all the way from Hawaii to be the Guest of Honour at SFeraKon 2015. She is busy packing right now but she still found some time to drop us a short note.
1. What made you decide to accept the invitation to SFeraKon?
When Ellen Wright, the publicist at Orbit Books, emailed me with the invitations and asked if I would be interested, I immediately wrote her back: “Am I interested? In my heart I am ALREADY THERE.”
How could I pass up a chance to see Croatia, to meet readers and fellow SFF geeks in a part of Europe I’ve never visited, and of course to help Lumen launch the Croatian edition of Cold Magic?
2. What is the one thing you look forward the most in visiting Croatia?
I’m most looking forward to getting a glimpse firsthand of what is going on in a part of Europe the USA media ignores.
3. What, if anything, were you told to look out for in Zagreb?
The architecture, parks, museums, and Ivan Meštrovi?’s former residence. I’m hoping to do a bike tour of the city first thing to get my bearings. Zagreb seems so lovely.
4. What do you like the most about SF conventions?
Talking to people who have the same enthusiasms I do.
Kate will be at SFeraKon for the entire duration of the con and since SFeraKon does not practice separating GoHs from fans, you can come talk to her! If you are feeling shy, check out the SFeraKon schedule – she will have a Q&A on Friday, a lecture on writing on Saturday and a worldbuilding workshop on Sunday.
Fanovske aukcije u Hrvatskoj više nisu novost pa ce ovo biti kratko i slatko:
Donesite stvari kojima želite pronaci topao fanovski dom – primamo knjige, filmove, kostime, potpisane price, cudnu japansku hranu i sve ostale neobicne stvarcice koje vam padnu napamet. Ako nista drugo da vidimo kako ce se Mirko snaci!
Popunite fomular da znamo što je cije, i kome to treba eventualno vratiti. (Ne pojavite li se na kraju aukcije po stvari mi ih proslijedjujemo aukcijama dalje!) Popunjenog ga, zajedno s stvarima, donesite u subotu, 16. 5. 2015. 15 minuta prije aukcije u hol gdje održati GUFF aukcija. Prema trenutnoj satnici aukcija je u 16:00.
Ponesite sitno jer mi ga nikad nemamo! Sve što kupite pla?ate odmah, dok traje aukcija.
Da bi stvar bila zabavana, opet ce je voditi Mirko Karas, predsjednik SFere koji ce nam pokazati što je sve naucio kad bio auctioneer na Shamrockonu, irskom Euroconu u Dublinu i koje je sve nove trikove smislio u me?uvremenu kako bi vas odvojio od para.
Jedina je promjena to što ovaj puta novac dijelimo s drugim europskim fondom, onim najstarijim. Ime mu je TAFF – The Transatlantic Fan Fund, a financira razmjenu izmedju Europe i SAD-a.
Naime, ove je godine utrku za odlazak iz Europe na Sasquan, 73. Worldcon koji ce se održati u kolovozu u gradu Spokaneu, u državi Washington, osvojila Austrijanka Nina Horvath koja je u europski fandom zakoracila upravo u Zagrebu, posjetivši Kontakt. Na aukciji ce biti ponudjeno nekoliko stvari koje je donirala Nina.
At first I thought it might be a good idea to present some of the people behind SFera and SFeraKon. Then I realized I already had this idea while I was Down Under and had just never gotten around to realizing it, as such things go in fandom. So here it the first one in what will be a series of short interviews with people who either are or should be famous in fandom.
Mirko Karas is the current president of SFera, which means he manages a large number of women who want. things. done. now. This in turn means that he finds his IT day job managing a number of teams quite relaxing. Some of you may remember his as the Shamrokon Fan Funds Auctioneer, and Croatian fandom loves his stunts as the GUFF auctioneer.
Mirko was born in Zagreb in 1975, but does not remember those first years of his life very well, except that he always liked reading. When not fundraising (i.e. working his full time IT job), he is trying to reconcile his many of hobbies – which include skiing, underwater hockey and hiking, get some time to read good books and finally put all those stories in his head on paper. At the moment, he is one half of the editorial board of Parsek, SFera’s long living fanzine and very busy preparing the junkyard wars style Grunf’s workshop at SFeraKon 2015. Among other things. Like preventing programming for throttling overbearing con participants.
1. How did you discover SF?
Beats me, I was crazy about “Blake’s 7″ and “Terrahawks”. I remember these TV shows from the first years of elementary school, just about the time “The Empire Strikes Back” hit the cinemas. When you are 10 and there are light sabres around, you are hooked for life!
I guess my Dad also had some accidental influence via all the books he left lying around. I think I was around 10 when I left my staple of Karl May and Tarzan books for long enough to read Asimov’s “I, Robot”. I liked it a lot because of the robots, but I had to reread it several times afterwards to get what it was really about. Then The Hobbit came along and I discovered fantasy as well.
2. What’s the best thing about SF fandom?
You can have normal conversations about weird stuff. Most of the time.
3. What was you first convention like?
Uneventful. I was unaware of half of the stuff that was going on because the guys who had dragged me there were obsessed with throwing a LAN party. At my second convention, though, which is incidentally considered to this day to be the worst organizational flop in the history of Croatian fandom, was a blast!
4. And how did you get sucked into organizing them?
I was a slowly boiled frog. First, I started helping out some people I barely knew. Then I wanted to contribute to the program with something cool and SFera said “Sure, please do”. Then I was pissed off by all of it and thought some things could be done better, and SFera said “Sure, please do”…
By the time I realized what was going on, I was president, looking for people to say Please do to…
5. You run – at SFeraKon and at SFera – Grunf’s Little Workshop. Tell us about it.
That was one of those early contributions to the program. I actually stole it from the Engineering competitions organized by Board of European Students of Technology I was a member of. The point is to get a bunch of junk and put it together to create a catapult, a self-propelled vehicle, a parachute for an egg, a functional bridge… Whatever. Then your contraption competes with others of its kind made by the opposing teams. The winning team gets a chocolate and a photo shoot with an airman’s leather helmet and goggles.
When I explained this idea, people liked it. However, when we put it on at the convention, no one actually got what it was really about, so nobody showed up. I think describing it with “You’ll do stuff like MacGyver” did not help. Next year we changed the name, in honour of Grunf, an incompetent but creative inventor and pilot (that’s why the helmet is there!) from the Alan Ford comic (very popular in these parts) and people started applying like crazy! Proof of the power of the marketing!
The funny thing is, now there are kids competing with adults, often beating them. People still like it, but I think we’ll need to implement some changes soon.
6. You are the president of SFera, which, as is often repeated, is run by women. How’s that working out for you?
You mean how do I live with the gender inequality? That’s not an issue. Surviving in a group of control freaks we all are is the real achievement.
7. Who are you favourite authors?
That’s a tough one. I usually get hooked by a novel or series, so whomever I mention, I will continue going on. Let’s say Terry Pratchett and Neil Gaiman. And I’ll read anything form Phil and Kaja Foglio.
8. What’s the best SF book you have read last year?
“The Stories – Five years of original fiction on Tor.com”. It probably does not really count as an answer, since I’m still reading it, and I probably will keep reading it in 2015, between other books.
9. At Croatian cons you are also well known as the GUFF auctioneer. How did that come about?
You did not let me go away after the first one?
I had some stuff for that first auction and had a good idea how to spin a story on them. So I volunteered to be the auctioneer that time. Nobody expected anything big, I think. People reacted great, actively joined the performance and everyone had fun. Aaaaand… you conscripted me for the future.
In exactly one week I will be half-crazy and half-ecstatic, running around doing a million things at once. I call this the SFeraKon Saturday Insanity. The second day of the biggest Croatian SF con is always hectic for me. Almost all the journalists turn up within the same hour, of course, and the SFERA and SFERICE Award Ceremony script somehow manages to remain unwritten until that day, no matter how many weeks in advance the writing of it starts. And all the fans that are not from Zagreb also arrive on Saturday and are eager to chat and have coffee and catch up. On a happier note, I get to be curt and not mistaken for rude
Running Kontakt, the 2012 Eurocon almost entirely in English we demonstrated we can do it, to ourselves most of all but to all the members too. Since then, we’ve always had some programming in English – at least one item per day and usually more – we just never bothered to push it.
Also, we somehow took it for granted everybody knew you could ask for an item to be in English, and some lecturers will be able to switch at a moment’s notice.Not everybody does, so this is your official notice! Ask, and if at all possible, it will happen.
Since I’ve gotten some queries about programming in English this year, here’s the breakdown for 2015.
Friday, May 15
GoH Q&A with Kate Elliott, 20:30-21:30
Kona?no Sir Terry, Vrijeme je da krenemo zajedno, Milena Benini, 22:00-23:00
(Finally Sir Terry, Time to Leave)*
A lecture on where and how to start reading Sir Terrry Pratchett
Saturday, May 16
Fanzinska scena u Hrvata, Mirko Karas i Irena Hartmann, 15:30-16:00
(Fanzine culture in Croatia)*
Contemporary German Language SF literature, Martin Stricker, 15:30-16:30
Kate Elliot, Guest of Honour Speech, 17:00-18:00
The Terry Pratchett After LIFE, Milena Benini, Petra Buli?, Tatjana Jambrišak, Mihaela Marija Perkovi?, Marko Štengl 18:30-19:30
Once more with feeling 1, musical, 19:20-19:40
50 godina planeta pustinje: Dina i zašto je volimo, Marko Fan?ovi?, Mihaela Marija Perkovi?, Vladimir Šegadin, 21:45 – 22:45
(50 years of the desert planet: Dune and why we love it)*
Kad štenci podivljaju ili tko je strgao Huga, Milena Benini, 22:45-23:45
(When puppies go beserk or who broke the Hugo)*
Sunday, May 17
Worldbuilding Literary Workshop, Kate Elliott 15:30-17:30
Tragom bijelog zeca: Kako su Alisa i Lewis Carroll utjecali na pop kulturu, Milena Benini, Marko Fan?ovi?, Jasna Legovi?, Iva Polak, 15:30-16:30
(Following the white rabbit: How Alisa and Lewis Carroll influenced pop culture)*
The Great April 2015 Tour (Easteron, Eurocon, Pyrkon, Antwerpen convention), 17:00-18:00
Trip reports! Photos! Anecdotes not to be written down!
The timetable is, of course, still subject to change. In addition to this, almost everybody speaks English at the con. All the other info you might need you can find here.
*These lectures/panels are announced as being held in Croatian, but the lecturers are proficient enough in English to be able to switch to it should there be foreigners in the audience.
Gillian Polack, last year’s GUFF delegate to Loncon3 and current Australasian GUFF administrator has put out a call for favourite recipes from SF friends. Having traveled to Finland and Croatia this summer after Loncon3 I have no doubt Gillian tried some of the finest delicacies from both countries. This obviously inspired the cookbook writer in her so she came up with a very cool idea on GUFF fundraising!
Here’s what she says:
I’ve discovered over the years that even fans who claim to be non-cooks often have one recipe, one mouth-wateringly wonderful dish that they make when asked to bring a plate. And fandom needs another cookbook. And I need to raise money for GUFF.
Send me your recipes! Ask your friends to send me their recipes! As many recipes as you like! Spread the word across world fandom!
Since this is an international endeavour, there will be many oven temperatures and spoon sizes. Tell me what country you’re from (and tell me a bit about yourself if you want other fans to know) so that I can make sure that your oven temperatures are translated properly in the tables of measurements. Your recipe will be in the book as you have given it to me using this oven-of-origin system, and fans from the other side of the world will be able to make it using my magnificent translation tables.
Normally, when I put a cookbook together, I translate everything into a standard recipe format. I’ll only change or adapt recipes when the recipe provider asks me to or when there is a significant problem. Having said that, I’m happy to have “I think this is how we make it, but all I’ve got is a page of notes: can you make sense of it for me?” recipes.
One thing I love about SF fandom is its variety and its fascinating people, so I want to hear from as many of you as possible. I’ll correct typos and adjust ambiguities and make the internal formatting within the recipe consistent, but in most cases, that’ll be all I’ll do.
Speaking of fascinating fandom, this cookbook is not just for one branch of fandom. You may be a gamer, a literary fan, a furry fan, a cosplayer, a fanfic writer, an artist or belong to any of the thousand other parts of fandom that make our lives so wonderful. This is where we all come together and enjoy food. (And while I’m thinking of art, if anyone has art they’d like to see in the book, talk to me. Also, if someone has a burning desire to typeset the book, I’d love to hear from you.)
This ebook is not just for English-language fandom (although the book will be in English). If you know people who might be interested but have no English or not quite enough English, do not despair! I read several languages and have friends who read several more. By hook or by crook we’ll get your recipes translated. (My friends won’t know I’m asking them until I’m faced with a language I don’t have, though, so don’t scare them off.)
I prefer recipes in the format:
Title of recipe (giver of recipe, country)
Ingredients
Method
Having said that, if putting something in a correct format is going to stop you sending me the recipe, then just send me the recipe. Send me any number of recipes. Spread the word to fannish cooks all over the globe. I want this to be the biggest cookbook fandom has ever seen!
How do you get me your recipes? Simply fill in the web form here and make sure that the first words say “Fan cookbook.” If your recipe isn’t in English, then please tell me what language it’s in, just to make it easier.
Send me your recipes by 15 July 2015.
Addendum: Several people have asked me about the contact form. The contact form strips some formatting but the paragraph returns survive at my end (even though it looks as if they don’t, at the sender’s). Don’t panic! Just send me your recipes…,
On the last day of any con I start to be a bit worn out. Not so at Pyrkon but this might be a consequence of sharing a room with someone who is as much a morning person as I am. That was a really refreshing change in pace for me – thank you, Irena! Sunday went by a lot faster than any other day – it constantly felt as if I had just arrived and the con could not possibly be finishing so soon! There was yet more programming to go to, and the costumes were still there, numerous, exuberant, lovingly done and even more lovingly worn as well as much appreciated. I expected their number to be lessened on the day after the big cosplay contest, but obviously costuming at Pyrkon is much more than just the cosplay contest.
While taking a leisurely walk through Poznan to the con – and I saw some lovely parks I want to take some time in next year! – I received a call from their press office to let me know the interviewee who went missing the day before had some 10 minutes for me if I were interested. I hope the chairs, whom I was supposed to be interviewing at the same time, will forgive me picking Ted Chiang over them. It was short and sweet and I hope to have an audio version up soon.
At various times during the weekend I would end up at the press room chatting with volunteers working there. It was a lovely experience – they were warm and friendly and chatty, as well as a way to see the inner workings of the local con-runners. Of whom I have only words of praise. From what I’ve seen, the Pyrkon con-runners are well-organized, very enduring, can function exceedingly well on very little sleep, adrenalin and sheer will power. They are also able bounce back and juggle with surprising skill when they run into problems. It was a simple and natural progression to suggest they might consider bidding for a Worldcon some day. Fact is, they could probably fit one into two of their ten pavilions. Obviously, they would need to volunteer somewhere first and since I do not see the Polish traveling en masse to Sasquan, I told them how to vote in site selection. I hope they all do.
Lunch was reserved for a bit of fanfunderry – me and Nina Horvath, the Austrian fan who’s won TAFF this year had a chat and a lunch. Creative places as con are, we may have come up with a cool new twist of a not entirely new concept. I am very exited but don’t want to even say it out loud, let alone write about it, lest I jinx it. Just keeping my fingers crossed. I love it when stuff like that pops up at cons, ideas that are not necessarily new but old ones that could not be made reality. Often it feels like trying to push a square peg into a triangle hole and then, at a con, something shifts, magic happens and suddenly an angle comes into existence which can make it all fall perfectly into place. Best feeling in the world! Right next to closing a successful SF convention.
My Sunday talk on Croatian SF scene and literature was well attended and there were even questions from the audience. Polish fandom is huge and varied, I’ve been told they have more 100 events in a year. And I thought many SF cons in a year were a Croatian thing! I was a bit comforted when it was pointed out Poland had 38 and Croatia only 4 million people. Still. A large local fandom, however, makes Polish fandom not only self sufficient but pretty self-involved. Not many Polish fans get about outside of Poland and their knowledge of traditional fandom and its customs seems pretty limited. I focused my talk on the differences in our two fandoms, Polish and Croatian, showing off mostly how Croatians do things and pointing out all the traditions the late but great Krsto A. Mažuranic set up in Croatian fandom.
I was very sorry to have had the bad lack of getting a time slot for that talk that clashed with the English tour of Poznan. My friends went and spent an excellent couple of hours with a guide named Marek, who according to them is the best tourist guide in the universe and a worthy attraction of the Poznan-Pyrkon phenomenon all by himself!, and GoHs Jasper Fforde, Jason Morningstar and Joe Haldeman, accompanied by his lovely wife Gay.
Later that day, Croatian screenwriter, Irena Krcelic presented Space Lab, a fun Croatian SF TV show for kids that also had a fair number of people in the audience, considering the fact it was a last minute alternate item held late on the Sunday afternoon. It is always great fun watching Irena talk about her work and especially when it is all about the scientific experiments kids can learn watching the TV show about Heklanac, a green little crochet robot, and the two mischievous children who are trying to help him fix his broken rocket so he can go back to his planet.
Not bringing the car to the con on Sunday morning was a mistake, as it took us quite a while to go get it and unpack the stand. I was amazed at how quickly and efficiently the vendor’s hall was taken down. A little disappointed, too, as I was hoping to do some last-minute shopping after Irena’s talk. In the evening we went – finally – to a Polish restaurant for dinner and tired some local dishes. The food at Pyrkon was also awesome, but they did not bother much with stews, other than the žurek soup (a stew with sour cream and sausages), which was excellent but hardly representative of an entire country’s cuisine. The rest, however tasty, was mainly burgers and other fast food items. And beer. Lots and lots of beer. (I know who in Croatian fandom just started preparing for next year and there are more than a few British fans would have an awesome time here, too!)
There was a lot of programming in English: not only the one entire stream they placed in the hall called “Anglojezyczna” but also on the main stage and in some other rooms. Media is prevalent at Pyrkon rather than literature but the focus, as much as I could see, was on costumes first and everything else second. The literary track, however, was anything but non-existent, as I have heard tell of other media cons where writers are ignored. Not so here. In this, Pyrkon was so very much my kind of fandom that I felt I had the best of both worlds, literature and media. And they inspired me to push for an organizer’s cosplay at SFeraKon, the first one ever. I cannot not adore any con that makes my own a better and more interesting one. Tomorrow, I will be gushing about Pyrkon at the Tuesday SFera meeting, in two weeks at SFerakon 2015 and in exactly three, at SRP. And in April 2016 I am hoping to be in Poznan again. Possibly even in costume.
I do not LARP or play games much, unless it is with my five year old son. I have no idea why – I figure I am just lazy and much prefer to sit and read a good book. But occasionally someone comes up with something I would so totally get into. The idea behind Astra that Ivana Delac and Vesna Kurilic, both accomplished Croatian genre authors with day jobs in the culture and public education field and experienced game masters, came up with would have been my first LARP had they not asked me to be one of the small behind the scenes helpers. I am not sorry as I am sure I can bully them into making more of these. Also, I think it would be wonderful world if I could send my kid to school to learn like this.
Astra was a twelve days long, pervasive live action roleplaying game which took place in Zagreb, Croatia, October 15 – 26, 2014. It was designed and run by two game masters – Ivana Dela? and Vesna Kurili?, both accomplished Croatian genre authors with day jobs in the culture and public education field. Both have been active on the European LARPing scene since 2011 and have so far participated in designing and running three local LARPs in adition to Astra. These were: an intense chamber psychodrama LARP The Cabin, a prison LARP ?uza and a single-day sequel of Astra, held in the city of Rijeka under the name Astra: Apokrifija.
Astra was a pervasive game with elements of espionage and research on literature, with a playable plot relying heavily on the supernatural. It had a strong ARG (alternate reality game) aspect, which is uncommon in Croatian LARPs. Most of the story had been kept secret until the game started (and continued so well into the game), the characters were pre-written by the organizers and the full number of participants – 28 active players, 2 GMs and a larger number of outsiders as supporting cast and crew – have been revealed only after the end of game. The main storyline revolved around the lives and works of three famous Croatian authors of the 20th century – novelist and journalist, Marija Juric Zagorka, Croatian Nobel award nominee and famed children’s author Ivana Brlic Mažuranic and acclaimed poet, Antun Branko Šimic.
What was it all about?
All of the characters in Astra were ordinary people applying for an internship at the Astra Agency, a discreet service which offers information – for the right price. The Agency had been monitoring information in the public domain and had selected a few potential candidates who seemed right for the job. The testing the candidates was what remained and that was done in the form of daily tasks. Some were some based on codes and cyphers, while other required creative activity (writing, drawing, sculpting…) Others yet revolved around the exploration of Zagreb, both online and in the real, physical world. There were also a couple of flashmob-based group assignments, i.e. public readings from works of the three authors.
Astra lasted for 12 days straight and 24 of the initial 28 players participated, in some way, until the very end. Loads of creative and informative material was produced: stories, poems, artwork, music, videos, research reports, statues, lanterns… All of it, as well as lovely ingame photos, are featured on the LARP’s website.
For every successfully completed task, players received a piece of information, often hidden in another puzzle, and the main goal was for them to put it all together in order to discover the story of the LARP. That story included the ancient, magical crown of Croatian kings that could bring a horrible death to those who desire eternal life, and immortality to those who fully accept that everyone must die. That crown subsequently, much to the joy of every fan of Marija Juri? Zagorka, made Zagorka herself immortal (and gave her enough time to continue her work and, eventually, create Astra).
Furthermore, a couple of characters were secretly working for Zagorka’s arch-nemesis, which brought on some interesting ingame situations and resulted in one character’s murder, which in return raised the tension and distrust among players. The highlight of the game was a treasure hunt in which players found the crown and discovered that Zagorka actually was immortal, and the Director of the Astra Agency. The game ended by Zagorka (played by the popular Croatian genre author Milena Benini) awarding the candidates with a job at Astra after which she left, with the crown, supposedly to end her over-long existence.
Why so special?
Although this game was not the first Croatian LARP based on the works of Croatian genre authors (that would be “Seekers of the Dawn”, created by Ana Rajner and Božo Špoljaric in 2012 and based on the Snakes of Nikonimor fantasy trilogy by Sanja Lovrencic), it was the first longer and pervasive one.
Astra included quite a few elements that were previously unseen in Croatian LARPs, such as numerous ingame video materials, “hard copy” casefiles (given to every player at the beginning of the game) filled with mysterious documents and old photographs, ingame blogs and websites created months before the game and regularly updated, etc. This game was also,to the best of our knowledge, the first Croatian LARP to include mainstream outside partners: Marija Juric Zagorka Memorial Centre, Školska knjiga Publishing House and the Booksa Book Club.
The feedback provided by the players shows that their opinion of the three authors improved significantly during the game, and that they learned a lot about the life and work of these writers who marked the Croatian literature of the 20th century. This leads to conclusion that pervasive LARP, as a transmedia form, is an amazing, efficient and fun tool for promoting literature and educating people about it.
Astra was nominated for the ESFS Award in 2015 and lost to Ireland. But I believe this is only the beginning.
The second day of Pyrkon started off with a bit of weird deja-vu: it was a new day, as sunny and warm as Friday. And once we walked to the venue, the lines were also there again, just like on Friday. Another huge mass of fans were waiting to register! At first glance this was just too hard to believe, it felt as if we time hopped into a weird repetition of the first day of the con! This just had to be a not very well organized line to get in! Maybe the Poles simply do not know how to run the badge system efficiently. They do. It’s just so difficult to believe that so many more people showed up. But they did.
Throughout Saturday large numbers of people milled around the con, pursuing their various interests and desires. That one of the big Poznan International Fair pavilions was reserved for vendors, making it essentially one enormous Dealer’s Room was not weird or new, even if it was quite a bit bigger than the Loncon3 one. But that RPGs had an entire pavilion of that size dedicated to them alone, with some spillover into the vendor’s one was surprising. And another one for computer gaming. And another one for LARP. And two more for various other programming items. And a big, main one for more programming. Getting the drift yet?
In all of this, there is one thing that I find to be the most impressive as well as precious beyond words (and I hope Pyrkon never looses it): the “feeling of fandom”, for lack of a better term. I hate crowds. They make me nervous and irritated and annoyed. I become rude and overwhelmed by a desire to go commune with trees, preferably somewhere without any people. Even at Loncon3, where I knew so many people, I felt the need to go find a bit of solitude. At Pyrkon the day before yesterday, it was like having science-fictional double vision of the best kind: despite the truly huge number of fans at the con, the feeling of closeness and coziness one gets at a convention of 300 remained. As I’ve tweeted already, I blame the enthusiasm and the atmosphere. And possibly magic.
Though it may just be the adrenalin of the organizers – these people have been, up until this year, running the +20000 members convention that is Pyrkon entirely on volunteer power.Any other day I would have had to say that the most impressive part of my day was hearing stories about Krsto A. Mažuranic, the grandfather of Croatian SF fandom from Joe and Gay Haldeman. But after hearing that particular piece of information, in addition to them having 70 GoHs, 12 foreign and the rest domestic, all I could do is be in awe.
(And am suddenly more forgiving of the fact that there is not a single stand of books in English for sale. So no opportunity to get autographs by Fforde, Chiang and Haldeman for me since accidentally forgot my copies at home.)
I planned to go to panels but the one on YA fiction pissed me off and then I got sidetracked by talking to people and hatching new plans, discussing fandom, browsing the stands, being stood up for an interview by the most award winning writer in SF and gawking at even more fabulous costumes. Find some better photos here.